Song reviews

Courtney, it would seem, is from Glasgow and, with her song “Hush Baby”, she throws her all into being a plastic pop princess. She makes a pretty convincing job of it too even if the song itself is something of an underachiever.

Old style electro aimed directly at the dance floor, Nawuel Dash just about pull off their hybrid Jacksons meet the NY nightclub scene of the eighties sound and consequently are able to send “Rock It” directly from the past to your headphones.

“Midsummer Rock” is an honest rock song by an honest band with no apparent desire to go further than posture furiously and have a good time. That is, of course, exactly what a rock band of the old school type should do so Kickstart Rockers can hardly be criticised for that. This, perhaps remarkably, is actually the best song in this week’s batch.

I have a (somewhat vague) recollection of hearing Molly Beanland before but, even bearing that in mind, I can think of no reason why she should choose to do a simply woeful cover of “When The Lights Go Out” to further her career. I can only hope that this amateurish effort was a demo that accidentally escaped.

There is a not a lot to be said about “Kiss-Hug-Make Up” as it does no more than provide evidence that Longfellow aspire to being a replica of every other anodyne band out there. That’s a shame as Owen Lloyd has a voice that soars high above the identikit song, the derivative production and his uninspired bandmates.

Apparently two brothers from Sweden, Saintway sound more like the product of an overdose of anodyne American folk rock influences and “It’s Over Now” thus bears comparison with any Fleet Foxes’ song that you might care to think of. The song is, however, nicely performed and produced.

It has to be said that proper hard rock never seems to go out of fashion and North Carolina band A Course Of Action prove just that with their song “Tell Me Why”. A Course of Action are as much of now as they are of twenty years ago but you can’t go wrong with riffing guitars and emotive lead vocals. I suspect that this is the kind of band that would step on your head if they found out you owned a man bag.

“Give Me My Diamonds”, as a song, is in need of a good polish or, to use the technical term, a remix. Demi Davis makes for a convincing urban robodoll but her rather rough vocal performance detracts from what could have been an uptown dance floor meditation on materialism.

Full of bad attitude, Silver Loves Mercury bitch their way through the evils of competitive fashion in best hard rock style and, in the process, they season “D.M.T.U. Girl” with maximum riffs and a (probably) unhealthy amount of sleaze. The singer is called Roxi but I bet you had already guessed that. Time to turn it up to the max.

Brutally synthetic, Johnytiger escapes the dance floor and heads for the Grand Theft auto highway with “++(Crosses)”. The synthpop melody is all but usurped by the all consuming robotic aggression that provides the driving force for this song so the best advice is to play it loud and remember to wear your seatbelt.

The ever reliable Matt Norris & The Moon draw heavily on the wholesome for inspiration and “The Anchor” seems therefore destined to lower the cholesterol of all who care to listen to it. In other words, it’s a nicely polished slice of Scottish folk rock cake made all the more acceptable by some positively flighty flute.

Club friendly – although it would still benefit from a remix – “Time To Shine” shows that The Penelopes can add a soupçon of French style to that never say die European electro groove. As the night people might say, this song will last until the sun rises.