Song reviews

It doesn’t take much effort to guess that De Montevert are from Sweden as “Hostage” is exactly the kind of electropop song that is exported from that part of the world. There’s a guitar solo to keep things interesting and Ellinor Nilsson’s voice makes it all seem so easy.

Ali Carter has one of those clear voices that you just know will bring life to any kind of love song and her song “Open To You” unsurprisingly shows that she indeed wears her heart on her sleeve but she does so with a fair degree of poetic eloquence.

It don’t mean a thing if it ain’t got that electro-swing and Jamie Berry’s “Lost In The Rhythm” is just the song to prove that. The song’s dancefloor roots are there for all to hear and Octavia Rose has the voice to make it all seem super cool.

“Dance The Extra Mile” provides enough evidence to suggest that Auna Sims is the kind of earnest singer songwriter whose words will bear closer examination even if the rather heavy handed production adds awkwardness rather than support.

There’s nothing wrong with being chart friendly and Serinette are just that with “Roadshow” tearing up the road with a sense of purpose that other indie rock bands just don’t have. You might just have to sing along with this one.

It’s getting near festival season and consequently “Hanging” seems like the perfect advert for Little Brother Eli. Stylistically, there are no surprises but this Oxford based band are sufficiently energetic to convince even hardened blues rock fans.

“Poison” might well be lo-fi but this is no mere song for the shifty with Mouses kicking up enough anarchic dust on their three minute dash to choke the competition. This is a song with undeniable spirit.

“Closer” is a song that sounds bleak yet you should give it time as Anna Marcella’s voice brings a fairytale quality to Sykoya’s song that proves to be enticing. There are, as they say, darker forces at work everywhere.

Low key yet curiously entrancing, the Louise Ward’s lost in the distanced vocals give “All The While” a fairytale quality that neatly parallels the song’s emotional depth. When all is said and done, this is an affecting song.

“Into The Unknown” is certainly a commercial song and RÉN has a voice good enough to add soul to the song’s obvious synth pop heritage and thus justify a place on any discerning iPod playlist.

There is enough eighties and nineties retro influences to give ear appeal to “Slow Down” with Mike Harris, or VOKES as he is known here, throwing in some urban soulful seasoning to keep it fresh.

With their studious blues-soul hybrid sound , Italian band Sunsweet Blues Revenge show they have what it takes to make their mark on the stage of any blues festival in Europe with Irene Loche’s low key vocal on “That Time Is Over” working better than you might reasonably expect.